... just silly amounts of busy.
To accomodate my fractured lifestyle, I have moved most of my blogging to my facebook page, my Twitter account (friend me up!) and to my new tumblr page.
I will keep this account active, and probably will post things of greater length and/or significance here.
See you around, dear reader(s)!
Friday, October 3, 2008
Monday, July 14, 2008
Good to know.
Not new information, but useful nonetheless.
Presentation is nice as well.
What We Say Without Words
(via Digg)
Presentation is nice as well.
What We Say Without Words
(via Digg)
Tuesday, July 1, 2008
Night Terrors
These are the things that will haunt you at 2am.
Enjoy.
(link for our Facebook friends)
See more funny videos at CollegeHumor
Enjoy.
(link for our Facebook friends)
Tuesday, June 24, 2008
Deep in the trenches
Ronald Reagan HS 2003 - Beyond Perimeters (link)
I am definitely in the scratching phase of designing right now... thought I would share.
Back to Pyware.
I am definitely in the scratching phase of designing right now... thought I would share.
Back to Pyware.
Monday, June 23, 2008
Monday, June 16, 2008
For all you creative-types...
It's always a good day when I find a story, or a book, or a film, or whatever, that teaches me something new or deepens my understanding of something I already have learned. I found this essay through the blog of John Maeda (President of the Rhode Island School of Design) and was quite simply blown away.
Edgar Allen Poe, to me, is a guy who wrote spooky poetry (best read by Vincent Price) and died under questionable circumstances. Now I come to find him also a literary critic, as well as a very astute commentator on the creative process. Check out this excerpt:
Seriously - read it!
Edgar Allen Poe, to me, is a guy who wrote spooky poetry (best read by Vincent Price) and died under questionable circumstances. Now I come to find him also a literary critic, as well as a very astute commentator on the creative process. Check out this excerpt:
Yes, it's full of statements that on their surface appear to only address writing and literature. The ideas in the essay, however, encompass a much larger world if you apply them globally.
There is a radical error, I think, in the usual mode of constructing a story. Either history affords a thesis--or one is suggested by an incident of the day--or, at best, the author sets himself to work in the combination of striking events to form merely the basis of his narrative--designing, generally, to fill in with description, dialogue, or autorial comment, whatever crevices of fact, or action, may, from page to page, render themselves apparent.
I prefer commencing with the consideration of an effect. Keeping originality always in view--for he is false to himself who ventures to dispense with so obvious and so easily attainable a source of interest--I say to myself, in the first place, "Of the innumerable effects, or impressions, of which the heart, the intellect, or (more generally) the soul is susceptible, what one shall I, on the present occasion, select?" Having chosen a novel, first, and secondly a vivid effect, I consider whether it can be best wrought by incident or tone--whether by ordinary incidents and peculiar tone, or the converse, or by peculiarity both of incident and tone--afterward looking about me (or rather within) for such combinations of event, or tone, as shall best aid me in the construction of the effect.
Seriously - read it!
Friday, June 13, 2008
Subscribe to:
Posts (Atom)